![]() ![]() Moments after pulping a suspect under the wheels of the Miami-Dade Metrorail, Lawrence dares the gods once again: "This has to be the worst, most emotional cop week of my life." And that's before Lawrence and Will Smith invade Cuba with a splinter faction of government agents to save his sister. The shanty town chase from "Police Story" is restaged and re-energized with even more collateral damage. Heart-to-heart banter is spiked with gay panic entendre and broadcast across a Best Buy so shoppers can properly sneer at genuine, human feelings. Morgue-fresh corpses bounce around during a car chase like barrels in "Donkey Kong." A throwaway line about rat sex pays off with an animatronic demonstration. It's a joke that Bay never stops laughing at. "Everyone deserves some dignity," Martin Lawrence says. In response to the critical savaging of Bay's reach for "Titanic" prestige, "Pearl Harbor," Bay made a $130 million manifesto that stands to this day: He'll wipe out the human race in exchange for a big enough pyro budget. In many ways, it's the Michael Bay movie. She's not tough, just calloused, and that makes her a lot more exciting to watch lock, load, and cry havoc.īy contrast, "Bad Boys II" isn't just a Michael Bay movie. In "Aliens," she's in exponentially deeper, and yet still goes sallying forth into the heart of darkness to save a single lost child. In a 2017 interview with Entertainment Weekly, Weaver broke the character down to her clinical core: "Ripley doesn't have time to try to be sympathetic, you know?" In "Alien," she was in over her head. ![]() She's going to exterminate these monsters or die trying, and she knows exactly where those odds lie. Though she still wages a one-woman-war with an assault rifle and flamethrower, the stakes are obvious in her stuttered breath. As finally performed, her reprisal of Ellen Ripley belongs in the action heroine pantheon. It took Cameron a while to convince Weaver that she wouldn't be playing, well, Rambo in space. Little do either Ripley or the meathead peanut gallery realize that she's the one who'll be dishing out most of it. But redemption and employment don't matter to her as much as cold, high-caliber revenge. Now an expert only because of her pain, she's offered an assignment to accompany some space marines on a possible bug hunt. This is action, packed.įor her Xenomorph troubles, freight hauler Ellen Ripley receives PTSD and a formal inquisition over her competence behind the wheel. The only real qualification for inclusion here is that the film delivers a thrill unlike any other, whether that means Tony Jaa doing push-ups on an elephant or Rudy Ray Moore taking a night off from insult comedy to practice kung-fu. ![]() Consider this a course in the essentials of running, jumping, and falling down. As a result, the following 95 entries are listed alphabetically. Seeking out the definitive, all-time, no-questions-asked greatest action film of all time is folly. As such, for the sake of nailing down true greatness, this list includes a little of all the above.īut how does "Hard Boiled" stack up against "The Lord of the Rings"? There's apples to oranges, and then there's Jackie Chan to Arnold Schwarzengger. Today, action films have re-diversified into superhero soaps and every other type of effect-addled blockbuster - it's hard not to find an action flick at the local multiplex. Before then, it was scattered amongst westerns, war films, martial arts flicks, and police procedurals. de Souza, writer of multiple films venerated below, didn't hear action identified as a distinct genre until the mid-1980s. But what makes an action movie great? The genre is already quite subjective. ![]()
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